Chromatic transformations in nineteenth-century music / David Kopp
Call number: 781.25 K83C 2002 Material type: BookPublisher: English : Cambridge University Press, 2002Description: 292 p. ; 24 cmISBN: 9780521028493 :Subject(s): Harmory | Chromaticism (Music)DDC classification: 781.25 K83C 2002 Online resources: ดูปกและสารบัญ (see cover and contents) Summary: David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory, and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony. The historical and theoretical argument is supplemented by many analytic examples.Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode |
---|---|---|---|---|---|---|---|
General Books | สำนักวิทยบริการ (Center) ชั้น 7 หนังสือทั่วไปภาษาอังกฤษ 000-900 | Non-fiction | 781.25 K83C 2002 (Browse shelf(Opens below)) | 1 | Available | 3000027179 |
Browsing สำนักวิทยบริการ (Center) shelves, Shelving location: ชั้น 7 หนังสือทั่วไปภาษาอังกฤษ 000-900, Collection: Non-fiction Close shelf browser (Hides shelf browser)
781.2 B929U 1994 An understandable guide to music theory : the most useful aspects of theory for rock, jazz & blues musicians / | 781.2 H821H 2020 Harmony through melody : the interaction of melody, counterpoint, and harmony in western music / | 781.25 D166H 2016 Harmony in Beethoven / | 781.25 K83C 2002 Chromatic transformations in nineteenth-century music / | 781.267 S912I 2016 Introduction to post-tonal theory / | 781.4 H424E 2007 The end of early music : a period performer's history of music for the twenty-first century / | 781.4 M987 2002 Musical performance : a guide to understanding / |
David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory, and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony. The historical and theoretical argument is supplemented by many analytic examples.
There are no comments on this title.